missing something
If a bullet is traveling 3000 fps and for simplicity at 1:12 twist. That would put the bullet turning at 3600 rps X 60 = 216,000 RPMs.
A bullet traveling 3000 fps hitting a mass like a deer puts a tremendous amount of dragg on a bullet. But has a much less effect on the spin of the bullet.
I would not know the declining velocity formula without knowing the sectional density of the deer. But bullets that strike objects are decreasing velocity at an exponential ratio to the loss of spin.
Spinning bullets that deform like solf points act just like a drill bit in distruction of tissue.
Bullets cause hydrostatic shock and physiogentic shock. This is not taking into effect the shockwaves that follow a bullet into the wound channel for each time the bullet has exceed the speed of sound.
A high speed video of a bullet impacting and proceeding through living tissue is quite impressive. I can't recomend going to the Walter Reed Hospital Museum in Washington DC. There are great displays of bullet wound trauma.
Nat Lambeth
If a bullet is traveling 3000 fps and for simplicity at 1:12 twist. That would put the bullet turning at 3600 rps X 60 = 216,000 RPMs.
A bullet traveling 3000 fps hitting a mass like a deer puts a tremendous amount of dragg on a bullet. But has a much less effect on the spin of the bullet.
I would not know the declining velocity formula without knowing the sectional density of the deer. But bullets that strike objects are decreasing velocity at an exponential ratio to the loss of spin.
Spinning bullets that deform like solf points act just like a drill bit in distruction of tissue.
Bullets cause hydrostatic shock and physiogentic shock. This is not taking into effect the shockwaves that follow a bullet into the wound channel for each time the bullet has exceed the speed of sound.
A high speed video of a bullet impacting and proceeding through living tissue is quite impressive. I can't recomend going to the Walter Reed Hospital Museum in Washington DC. There are great displays of bullet wound trauma.
Nat Lambeth